0c0a2027619ccf6b94ac16bedda462e6.jpg

0xacb2a1d2d9c10aafe05a17390f83e046eb5c170b.jpg

16022896245_f273e2cfb1_b.jpg

16851-1.jpg

16868-1.jpg

17176-1.jpg

17385824283_8d8d521ea9_b.jpg

20160717_121532-1024x576.jpg

24227792182_cf9d5b5cf8_b.jpg

26ee71472cc4f31a.jpg

31695531494_dd9df2ba7b_b.jpg

32109947103_171fe61955_b.jpg

32348349682_e2c156e208_b.jpg

32689420962_da858cdd0d_b.jpg

37519081051_e61ff8b0d8_b.jpg

38965155791_d781536129_b.jpg

563254.png

901455.png

A_Chalupa_(c._1914-15)_-_Amadeo_de_Souza-Cardoso_(1897-1918)_(32348349682).jpg

Amadeo-De-Souza-Cardoso-.jpg

Amadeo_de_Souza-Cardoso,_1913_-_Brook_House.jpg

Amadeo_de_Souza-Cardoso,_1913_-_Cozinha_da_Casa_de_Manhufe.JPG

Amadeo_de_Souza-Cardoso,_1915-16_-_The_little_bright_house_-_Landscape.jpg

Amadeo_de_Souza-Cardoso,_1915_-_Paisagem_Verde.jpg

Amadeo_de_Souza-Cardoso,_1916_-_Parto_da_viola_Bom_Ménage.jpg

Amadeo_de_Souza-Cardoso_The_Hawks_1912_indian_ink_on_paper_27_x_243_cm.jpg

Amadeu-de-Souza-Cardoso.jpg

Corpus_Christi_Procession_(1913)_-_Amadeu_de_Souza-Cardoso_(1887-1918)_(31168781584).jpg

DESTAQUE_IMG_061.jpg

FAL_357_Dame.jpg

IMG_10.jpg

OriginalSize$2016_04_19_17_55_01_163698.jpg

SC4957-1000x1000.jpg

The-poor-fool-c.19141915-Amadeo-de-Souza-Cardoso1897-1918-1-401x410.jpg

The_poor_fool_(c.1914-1915)_-_Amadeo_de_Souza-Cardoso(1897-1918)_(32771475645).jpg

Writing Machine, 1917, Amadeo Cardoso.png

amadeo---cabeça-1546b.jpg

amadeo---cabeça-1546c.jpg

amadeo---cabeça.jpg

amadeo---cafes-de-paris-a.jpg

amadeo-2.jpg

amadeo-de-souza-cardoso-corpus-christi-procession.jpg

amadeo-de-souza-cardoso-girl-of-carnations.jpg

amadeo-de-souza-cardoso-le-tigre.jpg

amadeo-de-souza-cardoso-musical-instrument.jpg

amadeo-de-souza-cardoso-parto-da-viola.jpg

amadeo-de-souza-cardoso.jpg

amadeo-tristeza-cabec3a7a-fit-555x529-6.jpg

amadeo.jpg

amadeo11.jpg

amadeo_de_souza-cardoso_-_dom_quixote.jpg

amadeo_s_cardoso-sem_titclown_cavalo_salamandra1911121.jpg

bc20090c3f7de6591ce58df6834ae50e.jpg

green-eye-mask-1915.jpg

house-manhufe-1910.jpg

il_570xN.990316301_fgvv.jpg

image.jpg

imagem_10.jpg

imagem_11.jpg

imagem_12.jpg

imagem_13.jpg

imagem_15.jpg

imagem_16.jpg

imagem_17.jpg

imagem_20.jpg

imagem_21.jpg

imagem_22.jpg

imagem_23 (1).jpg

imagem_23.jpg

imagem_25.jpg

imagem_26.jpg

imagem_27.jpg

imagem_28.jpg

imagem_29.jpg

imagem_33.jpg

imagem_34.jpg

imagem_36.jpg

imagem_37.jpg

imagem_38.jpg

imagem_39.jpg

imagem_41.jpg

imagem_43.jpg

imagem_44.jpg

imagem_46.jpg

imagem_9.jpg

img_797x448$2016_12_16_20_47_48_198769.jpg

lampadas (1).png

lampadas.png

leopard-and-deer.jpg

mw-1240.jpeg

mw-1240.jpg

ng8377599.jpg

os-galgos-1911.jpg!Large.jpg

overstockart_2355_24558809986-1000x1000.jpg

q87.jpg

stronghold-1912.jpg!Large.jpg

the-leap-of-the-rabbit-amadeo-de-souza-cardoso.jpg

untitled-amadeo-de-souza-cardoso-1914-c41089ed.jpg

untitled-boats-1913.jpg

1 / 99

Amadeo de Souza-Cardoso (Portuguese, 1887 - 1918)

Topics: Amadeo de Souza-Cardoso (Portuguese, 1887 - 1918)

Amadeo was born in Mancelos, a parish of Amarante. At the age of 18, he entered the Superior School of Fine Arts of Lisbon and one year later (on his 19th birthday) he went to Paris, where he intended to continue his studies but soon quit the architecture course and started studying painting. By then, he was especially experienced in caricatures. In 1908, he lived in number fourteen of the Cité de Falguière. There, he went to ateliers in the Académie des Beaux-Arts and the Viti Academy of the Catalan painter Anglada Camarasa. In 1910 he stayed for some months in Brussels and, in 1911, his works were displayed in the Salon des Indépendants. He became close friends with artists and writers such as Gertrude Stein, Juan Gris, Amedeo Modigliani, Alexander Archipenko, Max Jacob, the couple Robert Delaunay and Sonia Delaunay, and Constantin Brâncuși, as well as the German artist Otto Freundlich. He was also friends with the Italian Futurists Gino Severini and Umberto Boccioni.

In 1913, Amadeo de Souza Cardoso participated in two seminal exhibitions: the Armory Show in the USA, that travelled to New York City, Boston, and Chicago, and the Erste Deutsche Herbstsalon at the Galerie Der Sturm in Berlin, Germany, directed by Herwarth Walden. Both exhibitions presented modern art to a public that was still not used to it. Amadeo was among the most commercially successful of the exhibitors at the Armory Show, as he sold seven of the eight works he had on display there.

Amadeo met with Antoni Gaudí in Barcelona in 1914, and then left for Madrid, where the shock of World War I was already underway. His friend Amedeo Modigliani showed sculptures in his Paris studio. Amadeo returned then to Portugal where he married Lucie Meynardi Peccetto. He maintained contact with other Portuguese artists and poets such as Almada Negreiros, Santa-Rita Pintor and Teixeira de Pascoaes. On 25 October 1918, at the age of 30, he died in Espinho, of the Spanish flu.

His early works, under the tutelage of the Spanish painter Anglada Camarasa, were stylistically close to impressionism. Around 1910, influenced both by cubism and by futurism, he became one of the first modern Portuguese painters. His style is aggressive and vivid both in form and colour and his works