RFM473A5–Clothing, fashion in Japan, samurai, from the left, an officer of the archers, ancient samurai warrior costume, an officer with a beard mask, an officer with greaves, a maid in modern history costume, and a flower seller, digital improved reproduction from an original from the year 1900
RM2A5YWM0–Japanese samurai warriors, 1900
RMFF9CJ7–SAMURAI TRAINING, c1900. /nYoung Samurai in Japan training for the Satsuma Rebellion of 1877. Wood engraving, American, c1900.
RMG389N9–Racial - Japan - Samurai
RMCYP2W7–Two fighting samurai, Japan, circa 1900. Bronze with beautiful patina. Samurai in combat stance with drawn swords. Finely engraved and embossed details. Mounted on pierced wooden bases. Height without base 28 cm each, historic, historical, 1900s, 20th century, 19th century, vessel, vessels, object, objects, stills, clipping, clippings, cut out, cut-out, cut-outs, Additional-Rights-Clearences-Not Available
RMAY3X1C–Racial Japan Samurai
RM2B015AD–Japan: Count Kuroda Kiyotaka (16 October 1840 - 23 August 1900), Prime Minister of Japan from (1888-1889). Count Kuroda Kiyotaka was a Japanese politician of the Meiji era, and the second Prime Minister of Japan. Born into a samurai family, he had been part of the Anglo-Satsuma War in 1863. Under the new Meiji government, he became a pioneer-diplomat, and was put in charge of colonisation efforts in Hokkaido in 1872, to counter Russia's push eastwards. He helped negotiate the Japan-Korea Treaty of 1876, and aided in the suppression of the Satsuma Rebellion of 1877.
RM2HB1JYK–The Kabuki Actor Bando Hikusaburo V, 1832-1877, Toyohara Kunichika, Japanese, 1835-1900, Woodblock print; one leaf of a triptych?, Japan, 1866 first month, Edo Period, 14 x 9 5/8 in., 35.6 x 24.4 cm, Acting, Actor, Costume, Edo Period, Japan, Japanese, Kabuki, Katana, Poetry, Samurai, Stage, Theatre, Ukiyo-e
RF2HK4CJH–Inspired by The Kabuki Actor Bando Hikusaburo V, 1832-1877, Toyohara Kunichika, Japanese, 1835-1900, Woodblock print; one leaf of a triptych?, Japan, 1866 first month, Edo Period, 14 x 9 5/8 in., 35.6 x 24.4 cm, Acting, Actor, Costume, Edo Period, Japan, Japanese, Kabuki, Katana, Poetry, Samurai, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RFW0C7WH–warrior,samurai
RMAP9BCY–Judanme, Japan between 1815 and 1818
RMEFE2MA–Japan, Tokyo. circa 1890-1910 hand coloured postcard. Ueno park with people looking at statue of Saigō Takamori with his dog, dubbed the Last Samurai.
RM2AHR764–Surcoat or Vest. 1800–1900. Japan. Stencil on Japanese paper (probably kozo fiber) This garment, made with a higher quality of paper and workmanship than the haori nearby (2014.192), may well date from the last years of the Edo period (1615-1868) since the two principal patterns—interlocking sircles on the interior and floral lozenges on the exterior—were restricted to certain classes during that era. Although this surcoat lacks some of the military functionality of the example to the left (2015.283), it may be a version of a jinbaori, made at a time when samurai were bureaucrates, not warrior
RM2GE3WGN–Old Japanese hand colored postcard, circa 1900, of a horse mounted archer in full samurai armour firing a bow, (yumi) and arrow.
RF2CCP071–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RM2TDP6BB–Two theater scenes, one with two samurai and one with two figures at a table, Katsushika Hokusai, 1800 - 1900 Leaf with two stuck drawings with theater scenes: one with two samurai and one with two figures at a low table. An inscription gives the names of the documents. Japan paper brush Leaf with two stuck drawings with theater scenes: one with two samurai and one with two figures at a low table. An inscription gives the names of the documents. Japan paper brush
RM2B02X0Y–Toyohara Kunichika (30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of ukiyo-e actor-prints, which are woodblock prints of kabuki actors and scenes from popular plays of the time. A drinker and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and ca
RM2J3BJDY–London UK 07 April 2022 Embroidered Folding Screen,1880-1900 Lida & Co., Kyote Wood ,Lacquer, silk and silk thread,Leather gilt brass,Given to King Edward vii by the emperor Meiji for his Coronation 1902. The Queen’s Gallery, Buckingham Palace, 8 April 2022 – 26 February 2023 Paul Quezada-Neiman/Alamy Live News
RFM473AA–Clothing, fashion in Japan, from the left, two wearers carry a woman in a litter and a porter and a little girl, digital improved reproduction from an original from the year 1900
RMCYRDKM–A carved ivory tachi,Japan,circa 1900 Blade in shinogi-zukuri without visible hamon and hada,the blade glued into the tsuka.The tsuba and handle made of ivory carved in relief.The scabbard assembled of several whalebone pieces,blackened with kanahada and finely carved in netsuke quality.Depicting samurai scenes at court and hunting as well as a sage with his disciples.(Unread)red seal cartouche.Two ivory suspension rings with silk cord of later date.Length 107.5 cm.Well preserved tachi with unusually intricate relief carvings,historic,historical,,Additional-Rights-Clearences-Not Available
RM2HB5H1G–Two stage scenes, one with two samurai and one with two figures at a table, Sheet with two taped drawings showing stage scenes: one with two samurai and one with two figures at a low table. An inscription gives the names of the plays., draughtsman: Katsushika Hokusai, Japan, 1800 - 1900, paper, brush, height 285 mm × width 198 mmheight 135 mm × width 180 mm
RF2HKJW26–Art inspired by The Kabuki Actor Bando Hikusaburo V, 1832-1877, Toyohara Kunichika, Japanese, 1835-1900, Woodblock print; one leaf of a triptych?, Japan, 1866 first month, Edo Period, 14 x 9 5/8 in., 35.6 x 24.4 cm, Acting, Actor, Costume, Edo Period, Japan, Japanese, Kabuki, Katana, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMAP0EMT–The samurai warriors Ichijo Jiro Tadanori and Notonokami Noritsune. Japan between 1818 and 1820
RF2CCP0AC–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RM2B02X0X–Toyohara Kunichika (30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of ukiyo-e actor-prints, which are woodblock prints of kabuki actors and scenes from popular plays of the time. A drinker and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and ca
RM2J3BJE1–London UK 07 April 2022 (L)Embroidered Folding Screen,1880-1900 Lida & Co., Kyote Wood ,Lacquer, silk and silk thread,Leather gilt brass,Given to King Edward vii by the emperor Meiji for his Coronation 1902. (R) Embroidered Folding Screen,1880-97 Silk and silk thread, Calamander wood given to Queen Victoria by the Emperor Meiji for her Diamond jubilee, 1897The Queen’s Gallery, Buckingham Palace, 8 April 2022 – 26 February 2023 Paul Quezada-Neiman/Alamy Live News
RMCYRDMJ–A carved ivory tachi,Japan,circa 1900 Blade in shinogi-zukuri without visible hamon and hada,the blade glued into the tsuka.The tsuba and handle made of ivory carved in relief.The scabbard assembled of several whalebone pieces,blackened with kanahada and finely carved in netsuke quality.Depicting samurai scenes at court and hunting as well as a sage with his disciples.(Unread)red seal cartouche.Two ivory suspension rings with silk cord of later date.Length 107.5 cm.Well preserved tachi with unusually intricate relief carvings,historic,historical,,Additional-Rights-Clearences-Not Available
RF2HK9J5W–Inspired by Two stage scenes, one with two samurai and one with two figures at a table, Sheet with two taped drawings showing stage scenes: one with two samurai and one with two figures at a low table. An inscription gives the names of the plays., draughtsman: Katsushika Hokusai, Japan, 1800 - 1900, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RMARNA6X–Horyu Tower Print shows two samurai men fighting with swords on the roof of a tower
RF2CCP0AW–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RM2B02X10–Toyohara Kunichika (30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of ukiyo-e actor-prints, which are woodblock prints of kabuki actors and scenes from popular plays of the time. A drinker and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and ca
RMCYRDMR–A carved ivory tachi,Japan,circa 1900 Blade in shinogi-zukuri without visible hamon and hada,the blade glued into the tsuka.The tsuba and handle made of ivory carved in relief.The scabbard assembled of several whalebone pieces,blackened with kanahada and finely carved in netsuke quality.Depicting samurai scenes at court and hunting as well as a sage with his disciples.(Unread)red seal cartouche.Two ivory suspension rings with silk cord of later date.Length 107.5 cm.Well preserved tachi with unusually intricate relief carvings,historic,historical,,Additional-Rights-Clearences-Not Available
RMB45PKE–weapons/arms, batons, swords, Japan, military Katana for officers, circa 1900, Meiji period, 19th/20th century, weapon, samurai, sword, sheath, ,
RF2HKWJ1T–Art inspired by Two stage scenes, one with two samurai and one with two figures at a table, Sheet with two taped drawings showing stage scenes: one with two samurai and one with two figures at a low table. An inscription gives the names of the plays., draughtsman: Katsushika Hokusai, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMAP913X–Bando Mitsugoro no satsuma nokami tadanori, Japan between 1818 and 1830.
RF2CCP0A8–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RM2B02X11–Toyohara Kunichika (30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of ukiyo-e actor-prints, which are woodblock prints of kabuki actors and scenes from popular plays of the time. A drinker and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and ca
RMAP4NMK–The female warrior Hangaku, Japan 1885
RF2CCP088–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP8XNX–Portraits of actors, often playing roles, Japan between 1860 and 1890
RF2CCP08B–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP8M7X–Portraits of actors, often playing roles, Japan between 1860 and 1866 (seal date: 1860.7)
RF2CCP0AK–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP8NDN–Portraits of actors, often playing roles, Japan between 1860 and 1866 (seal date: 1860.7)
RF2CCP077–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP5EFR–Miyamoto musashi, Japan between 1847 and 1850
RF2CCP06T–Hyogo, Japan - Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMB788EG–Sitting samurai meditating - Art painting
RF2CCP074–Hyogo, Japan - 47 Ronin Statues at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP74BN–Shodan, Japan between 1815 and 1818
RF2CCP07P–Hyogo, Japan - 47 Ronin Statues at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMATMTTN–Japanese Ukiyo e print Samurai under a blooming blossom cherry tree season
RF2CCP06E–Hyogo, Japan - 47 Ronin Statues at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAR7FAN–Panel 3 of 3 Three actors in the roles of Wadai Yoshimori, Tomoe Gozen, and Yamabuki., Utagawa, Kuniyoshi, 1798-1861, artist, [between 1848 and 1854]
RF2CCP09D–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP8PFH–Portraits of actors, often playing roles, Japan between 1860 and 1890.
RF2CCP08P–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAPC6MH–Sandaime Onoe Kikugoro no Oboshi Yuranosuke, Japan between 1824 and 1830
RF2CCP089–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP91AY–Hashiba Hisakichi, Miaso Gozen, Buchi Gujiro, Buchi Mitsuhide, Japan between 1850 and 1870
RF2CCP084–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP77AG–Nidanme, Japan between 1815 and 1818
RF2CCP08W–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP91JM–Hashiba Hisakichi, Miaso Gozen, Buchi Gujiro, Buchi Mitsuhide, Japan between 1850 and 1870
RF2CCP095–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAP0FKN–Mukojima, Miyamoto Musashi created 1852.
RF2CCP08T–Hyogo, Japan - Traditional wooden prayer tablet (Ema) at Oishi shrine in Ako, Hyogo, Japan. The shrine was originally built in 1900.
RMAPWE6G–Sawamura sojuro no honda
RMAPFYEN–Yodanme
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